St James Church, Clerkenwell[1] is an Anglican parish church in Clerkenwell, London, England.
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The parish of St James, Clerkenwell, has had a long and sometimes lively history. The springs which give Clerkenwell its name are mentioned during the reign of Henry II. The parish clerks of London used to perform their mystery plays, plays based on Biblical themes, in the neighbourhood, sometimes in the presence of royalty. In approximately 1100 a Norman baron named Jordan Briset founded a Benedictine nunnery dedicated to St Mary, which became wealthy and influential. It had a place of pilgrimage at Muswell Hill, and the parish kept an outlying tract of territory there until the nineteenth century.
At the dissolution of the nunnery under Henry VIII its church, which by then seems to have acquired a second dedication to St James, was taken into use by its parishioners who had already been using a part of it for some considerable time. The site of the nunnery was granted to Thomas Howard, 3rd Duke of Norfolk in 1540 but the freehold of the church passed through various hands until it was conveyed in 1656 to trustees on behalf of the parishioners, who at the same time obtained the right to appoint the vicar. Unlike other parishes, they retained it after the Restoration of 1660. Elections of vicars were held, with all the excitement and paraphernalia of parliamentary elections, right down to the early years of this century and a distinctly Low Church tradition was thereby established. This did not prevent a long struggle in the latter years of the eighteenth century with Selina, Countess of Huntingdon. This strong-minded and evangelical lady had taken over a building in the parish called Spa Fields Chapel, and insisted on appointing her own chaplains to preach there. The vicar was furious, and his action against her in the ecclesiastical courts was the cause of her secession from the Church of England.
In 1623 the steeple fell down twice but was eventually successfully rebuilt.
By 1788 the old church, which was a medley of seventeenth and eighteenth century sections in various styles grafted onto the remains of the mediaeval nunnery church, presented an appearance of picturesque and dilapidated muddle. In that year an act of parliament was passed for the rebuilding of the church, the money to be provided by the sale of annuities. The architect was a local man, James Carr, and he produced a building which is pre-eminently a preaching-house but with carefully planned and harmonious detail clearly influenced by Wren and Gibbs. The new church was dedicated by Bishop Beilby Porteus in 1792. The upper galleries were added in 1822 for the children of the Sunday-School, founded in 1807 and still flourishing; the back parts of the upper galleries were for the use of the poor. The tower and spire were restored in 1849 by W. P. Griffith, and Sir Arthur Blomfield restored the church and rearranged the ground floor in 1882; both works were done very well. Inside, a noteworthy feature is the curved acoustic wall at the west end. The wall at the east end originally had painted panels in the Venetian window frame; the stained glass in the east windows is by Heaton, Butler and Bayne, 1863.
The organ was built in 1792 by George Pike England to replace the one by Richard Bridge, which he took in part exchange. The new organ had three manuals, toe pedals and a Spanish mahogany case. This, together with much of England's pipe work, still survives. The rococo detail is noteworthy, especially the carved drapery over the pipes. The organ was rebuilt by Noel Mander of Mander Organs in 1978, returning to the original style after some drastic alterations made in 1928. It now has 2 manuals and pedals and 22 speaking stops.
There is a fine peal of eight bells in the tower, dating from 1791, though all the bells were recast in 1928.
The most noteworthy vicar of the nineteenth century was the Rev. Robert Maguire, a prolific writer of Protestant pamphlets, who had enjoyed a peculiarly stormy and exciting election. He was responsible for much work on the fabric of the church and some rearrangement of the interior.
The crypt was used for burials, but early in the twentieth century 300 coffins were moved and stored under the main West entrance. The crypt was then excavated and equipped to form a large hall. The new hall was opened by the Princess Marie Louise of Schleswig-Holstein in 1912. It was later remodelled and opened by the Rt Revd Richard Chartres, Bishop of Stepney on 18 June 1994. The latest work created a dedicated youth space in part of the crypt and was opened by Rt Rev John Sentamu, Bishop of Stepney on 19 December 1999.
During the 20th century, the parish of St John, which had been carved out of St James's in 1721, was reunited with it, as was the parish of St Peter. The latter had been established in 1869 for the Smithfield Martyrs Memorial Church of that name; the present church contains a memorial to the Martyrs as a commemoration of St Peter's, which suffered heavy war damage in 1941 and was finally demolished in 1955. The parish church of St John was a remnant of the priory of St John, which is now the headquarters of the Order of the Hospital of St John of Jerusalem, and the church became the chapel of the Order.
A print of the church, based on a drawing by Samuel Rawle, featured as the frontispiece of The European Magazine, volume 36, published 1 August 1799.
The current church retains many reminders of its past.
Many images of the current church, including much of the internal detail, may be found here.
After several years of declining attendance, the post of vicar was taken over in 1998 by the current incumbent, the Rev Andrew Baughen, son of the retired Anglican bishop, Michael Baughen and congregational numbers have recovered and the church is still growing.
The church's motto is "Community, Discovery, Engagement" meaning "all people matter to God and ought to matter to us; no previous experience; from head knowledge to life transformation". [2]
The church maintains its Low Church tradition aiming to teach faithfully and accurately the word of the Bible unfettered by the distractions of tradition and ceremony. This is reflected by the lack of use of robes, alter cloths, candles or liturgy. The church has made much use of technology in its attempts to be accessible to everyone, including the recording and internet publication of bible talks (here), an in-church audio and video system, and live video-links/webcasts during services.
As part of a wider evangelism program the church hosts two evangelists associated with the London City Mission.
The crypt under the church is split into a main room, a side room and a kitchen.
The main room has a vaulted brick ceiling and parquet flooring, and has a floor area of 213m2 (2500 ft2). The side room is similar in its features but has an area of 75.5m2 (790 ft2).[3]
Because of its magnificent architecture and location in the heart of London the crypt is a popular venue for exhibitions, film shoots, parties, conferences and wedding receptions.
The crypt was used for the filming of the London Community Gospel Choir for an episode of BBC Songs of Praise broadcast on 24 May 2009. This performance may be seen here although the church at the start of the video is not St James.
Katie Melua's video for the song "Two bare feet" was also filmed in the crypt at St James and may be seen here.
The exterior of the church also features briefly in the 2002 film About A Boy.